JAKE COYLE Film Writer.

FILE - Director James Cameron speaks during the news conference to promote his latest movie "Avatar: The Way of Water" in Seoul, South Korea, on Dec. 9, 2022. (AP Photo/Ahn Young-joon, File)

James Cameron on two decades of making ‘Avatar’ and the future he sees for movies

James Cameron first began developing “Avatar” more than 30 years ago. He started working on the first film in earnest 20 years ago. Production on the third “Avatar” film, “Fire and Ash,” got underway eight years ago. By any measure, “Avatar” is one of the largest undertakings ever by a filmmaker, and maybe the only project that could make “Titanic” look like a modest one-off. Cameron has dedicated a huge chunk of his life to it. Now, as he prepares to unveil the latest chapter of his Na’vi opus on Dec. 19, Cameron is approaching what he calls a crossroads.

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FILE - Bruce Springsteen appears during a concert with the E Street Band in Berlin, Germany, on June 11, 2025. (AP Photo/Markus Schreiber, File)

Jeremy Allen White on taking ‘a leap of faith’ to play Springsteen in ‘Deliver Me From Nowhere’

Jeremy Allen White grew up listening to Bruce Springsteen. But sing his songs? It wasn’t until White began preparing to play the rock ‘n’ roll legend for “Springsteen: Deliver Me From Nowhere” that he even tried. There’s an established playbook for music biopics. “Deliver Me From Nowhere” ignored all of it. The film, written and directed by Scott Cooper, eschews the standard life-spanning, play-the-hits approach and instead focuses on a small portion of Springsteen’s sprawling life: the making of his 1982 album, “Nebraska.” It’s the first movie based on Springsteen’s life. And it marks the first lead movie role for White, the Emmy-winning star of “The Bear.”

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Guillermo del Toro’s Frankenstein dreams are alive

“Frankenstein” may be the culmination of Guillermo del Toro’s artistic life. It’s his chance to, finally, unleash a movie — an epic of creator and creation, father and son, God and sinner — that he’s been dreaming of decades. On the first day of shooting “Frankenstein,” Guillermo del Toro held up a drawing of the creature he had made when was a teenager. For the Mexican-born filmmaker, Mary Shelley’s 1818 gothic novel and the 1931 film with Boris Karloff, is his personal urtext: the origin of a lifelong affection for the monsters del Toro has ever since, almost compulsively, breathed into life. Netflix will release “Frankenstein” in theaters Oct. 17 and on streaming in November.

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After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival

The Toronto International Film Festival will screen a documentary on the 2023 Hamas attack, after all, following an uproar over the film’s disinvitation from the upcoming festival. Earlier this week, TIFF withdrew its invitation to the film “The Road Between Us: The Ultimate Rescue,” saying the decision was based in part on legal clearance for footage used in the film. Deadline, which first reported the news, said a sticking point was the identification and legal clearance of Hamas militants’ own livestreaming of the attack. TIFF chief executive Cameron Bailey and “The Road Between Us” filmmaker Barry Avrich issued a joint statement Thursday announcing the film’s selection.

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Bob Odenkirk isn’t an action newbie anymore

Bob Odenkirk ducks into a West Village coffee shop wearing sunglasses and a Chicago Cubs cap. Some degree of subterfuge might have been necessary for Odenkirk years ago. Surely fans of “Mr. Show” or “The Larry Sanders Show” might have recognized him. But with time, Odenkirk has traveled from the fringes of pop culture to the mainstream. He’s well-known now, but for what is a moving target. At 62, Odenkirk is not only a comic icon, he’s a six-time Emmy-nominated actor, a Tony-nominated Broadway star and, most surprisingly, an action star. He’s not a newbie, either. With “Nobody 2,” the sequel to the 2021 pandemic hit original, Odenkirk’s butt-kicking bona fides are more or less established.

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Denzel Washington and A$AP Rocky had a rap battle. One is claiming victory

A$AP Rocky had no idea Denzel Washington was going to throw Nas at him. Midway through Spike Lee’s “Highest 2 Lowest,” Washington’s wealthy music executive David King has cornered Rocky’s aspiring rapper Yung Felon after he tried to kidnap his son. They meet in a music studio. A rap battle ensues. Washington freestyles, mixing in lines from Nas, Tupac, DMX and others. While the scene was scripted, much of what Washington freestyled startled his professional rapper co-star. In the annals of movie face-offs between the veteran and the up-and-comer, the scene is a riveting showdown. Rocky is clear about one thing. Washington won.

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TIFF pulls documentary on 2023 Hamas attack from festival lineup, citing footage rights issue

The Toronto International Film Festival has disinvited a documentary on the Hamas 2023 attack on Israel over what the festival says was a footage rights issue. Organizers for the festival on Tuesday acknowledged that they withdrew “The Road Between Us: The Ultimate Rescue” by Canadian filmmaker Barry Avrich after initially offering the film a spot in next month’s edition of TIFF. The film chronicles the story of retired Israeli Gen. Noam Tibon. His efforts to save his family and others was profiled in a “60 Minutes” segment. The filmmakers say the festival is engaging in “censorship” by withdrawing the film.

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‘Happy Gilmore’ became a cult comedy. 29 years later, Adam Sandler is swinging again

Adam Sandler’s “Happy Gilmore” became one of the most beloved comedies of the ’90s and codified the hockey-style swing as a mainstay on golf courses. “A hop, skip and a hit,” as Sandler says. “Happy Gilmore” made comic heroes of Bob Barker, Christopher McDonald and Carl Weathers, and turned lines like “Are you too good for your home?” plausible things to ask golf balls. Now, nearly three decades later, and after years of batting away pleas for a sequel, Sandler has finally put Happy’s Bruins jersey back on. “Happy Gilmore 2” debuts Friday on Netflix and is arguably the most anticipated streaming release of the summer.

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Ari Aster made a movie about polarized America. ‘Eddington’ has been polarizing

Ari Aster’s “Eddington,” appropriately enough, has been divisive. Since its premiere at the Cannes Film Festival in May, Aster’s film has one of the most polarizing releases of the year. “Eddington” releases in theaters Friday and may be the most prominent American movie yet to explicitly wrestle with social and political division in the U.S. In a showdown between Joaquin Phoenix’s bumbling right-wing sheriff and Pedro Pascal’s elitist liberal mayor, arguments over mask mandates, Black Lives Matter protests and elections spiral into a demented fever dream. In an interview, Aster says it’s essential for filmmakers to try to capture the current American moment.

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Superman stars David Corenswet, center, Rachel Brosnahan, left, and writer, director, and producer James Gunn pose with fans during the first stop of the Superman World Tour in Pasig city, Philippines on Thursday June 19, 2025. (AP Photo/Aaron Favila)

‘Superman’ and DC Studios fly to a $122 million opening

In a bid to kickoff a new era for DC Studios, James Gunn’s “Superman” opened with $122 million in U.S. and Canada ticket sales over the weekend. DC and Warner Bros. had a lot riding on “Superman.” The superheroes of DC have recently found mostly kryptonite in theaters. Films like “Joker: Folie à Deux,” “The Flash” and “Shazam! Fury of the Gods” all flopped. But “Superman” is intended as a new start. It’s the first release fully steered by Gunn and Peter Safran since they were handed the keys to DC’s superhero cinematic universe. The roughly on-target opening was the third largest of 2025. Ticket sales were relatively soft for “Superman” overseas. In 78 international markets, it grossed $95 million.

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David Koepp is Hollywood’s go-to scribe. He’s back with a fresh start for ‘Jurassic World Rebirth’

In the 32 years since penning “Jurassic Park,” David Koepp has established himself as one of Hollywood’s top screenwriters not through the boundlessness of his imagination but by his expertise in limiting it. Koepp is the master of the “bottle” movie — films hemmed in by a single location or condensed timed frame. From David Fincher’s “Panic Room” to Steven Soderbergh’s “Presence,” he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything, as long as there are parameters. “Jurassic World Rebirth” is a fresh start for one of Hollywood’s biggest multi-billion-dollar franchises. But just as he did 32 years ago, Steven Spielberg turned to Koepp to write it.

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This combination of photos shows actors, from left, Danielle Deadwyler, Ariana Grande and Jason Momoa. (AP Photo)

New film academy members include Danielle Deadwyler, Ariana Grande, Jason Momoa, Conan O’Brien

The Academy of Motion Picture Arts and Sciences invited 534 new members to its organization on Thursday, adding recent Oscar nominees and many more to Hollywood’s most exclusive club. The newest class of Oscar voters includes a number of stars like Dave Bautista, Jason Momoa, Aubrey Plaza, Danielle Deadwyler and Andrew Scott. They, along with filmmakers, below-the-line professionals and executives will bring the film academy’s membership total to 11,120, with voting members numbering 10,143. That’s the largest membership ever for the film academy. Since the #OscarsSoWhite backlash, the academy has added thousands of members to swell its ranks and diversify its voting body.

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Denis Villeneuve to direct next James Bond film

Denis Villeneuve is going from “Dune” to Bond. Amazon MGM Studios announced Wednesday that Villeneuve will direct the next James Bond movie. The untitled film will be the first since the studio took creative reins of the storied film franchise after decades of control by the Broccoli family. Producers Amy Pascal and David Heyman had maintained that before the next Bond is cast, they would develop a screenplay and find a director first. Now, they have one of the most respected blockbuster makers in Hollywood who’s coming off a pair of widely acclaimed “Dune” films. In a statement, Villeneuve called Bond “sacred territory” that he intends to honor.

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‘Jaws’ changed movies forever, but Hollywood could still learn from it

Fifty years after “Jaws” sunk its teeth into us, we’re still admiring the bite mark. Steven Spielberg’s 1975 film, his second feature, left such a imprint on culture and Hollywood that barely any trip to the movies, let alone to the beach, hasn’t been the same since. “Jaws” established — and still in many ways defines — the summer movie. And yet the “Jaws” legacy is so much more than being Hollywood’s prototype blockbuster. It’s not possible to, 50 years later, watch Spielberg’s film and see nothing but the beginning of a box-office bonanza, or the paler fish it’s inspired. It’s just too good a movie — and too much unlike so many wannabes since –— to be merely groundbreaking.

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For Ana de Armas, Keanu Reeves’ co-star 10 years ago and once again, ‘Ballerina’ is a pirouette

Years before Ana de Armas was using an ice skate to slice a neck in “From the World of John Wick: Ballerina,” she co-starred with Keanu Reeves in a much different film. But since the 2015 erotic thriller “Knock Knock,” de Armas’ rise to stardom has been one of the most meteoric of the last decade. Now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In “Ballerina,” de Armas’ progressive development as an unlikely action star reaches a butt-kicking crescendo as she inherits the mantle of one of the most esteemed, high-body-count franchises.

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Highlights from The Associated Press’ interview with Stephen King

There’s a new Stephen King adaptation heading to theaters, and it’s one the prolific author endorses. “The Life of Chuck,” starring Tom Hiddleston, is an apocalyptic tale that includes moments of joy. King tells The Associated Press in a wide-ranging interview that while dread and grief are very much a part of life (and his works), so is joy. King also recently released the mystery novel “Never Flinch,” which features private investigator Holly Gibney, the author’s recent favorite protagonist. King says he’s always happy writing. He’s also an avid moviegoer, though has adopted a rule to only talk about the adaptations of his work that he likes — hence his praise for “The Life of Chuck.”

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Stephen King on ‘The Life of Chuck,’ the end of the world and, yes, joy

So vividly drawn is Stephen King’s fiction that it’s offered the basis for some 50 feature films. For half a century, since Brian De Palma’s 1976 film “Carrie,” Hollywood has turned, and turned again, to King’s books for their richness of character, nightmare and sheer entertainment. Over time, King has developed a personal policy in how he talks about the adaptations of his books: Keep your mouth shut unless you have something nice to say. But King is such a fan of “The Life of Chuck,” Mike Flanagan’s new adaptation of King’s novella of the same name, that he’s supporting it in ways the author never has before.

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