New York’s iconic St. Patrick’s Cathedral is unveiling a massive new mural that honors the city’s immigrants. The 25-foot-tall artwork spanning the sides of the Manhattan landmark’s entryway will be blessed at this Sunday’s Mass. The church’s rector, the Rev. Enrique Salvo, says the piece was not intended as a political message but nevertheless sends the message that “we have to see the dignity of the human being of each and every person.” The work depicts modern-day migrants alongside famous local figures, including journalist and social activist Dorothy Day and Pierre Toussaint, a former slave from Haiti who became a major philanthropist in the city.
NEW YORK (AP) — New York's iconic St. Patrick’s Cathedral is unveiling a massive new mural that honors the city's immigrants.
Spanning the sides to the Manhattan landmark's entryway, the 25-foot-tall (7.6-meter-tall) artwork of everyday immigrants and notable historical figures comes amid a federal crackdown on immigration that has divided many communities across the country.
The piece was not intended as a political message, according to the Rev. Enrique Salvo, the Roman Catholic church's rector, but nevertheless sends a message.
“We want anyone that comes in to feel loved and welcomed,” said Salvo, who is himself an immigrant from Nicaragua. “It’s a reminder that it doesn’t matter what’s happening … politically. We have to treat everyone with love and respect.”
The work, titled “What’s So Funny About Peace, Love, and Understanding,” also just brightens up the space for the 6 million visitors that come into the church every year, said Cardinal Timothy Dolan, the archbishop of New York who commissioned the piece.
“It was very drab," Dolan told reporters Thursday of the old entryway ahead of the mural's official unveiling at Sunday Mass. “So, we thought at least we need to spark it up and get some illumination.”
The mural, by local artist Adam Cvijanovic, in part honors Irish immigrants who contributed to the cathedral’s construction. One section depicts the Apparition at Knock, in which, according to Catholic lore, the saints Mary, Joseph and John the Evangelist appeared to locals in the Irish village in 1879 — the same year, Dolan noted, the cathedral opened its doors. Elsewhere, Irish immigrants are seen arriving on a ship.
Other scenes show modern-day migrants alongside famous local figures, including journalist and social activist Dorothy Day, Pierre Toussaint, a former slave from Haiti who became a major philanthropist in the city, and former New York Gov. Alfred E. Smith, the first Roman Catholic to receive a major-party nomination for president.
Cvijanovic said it was also important to him to represent Native Americans in the piece, which features St. Kateri Tekakwitha, the first Native American saint.
Dolan praised the painter for creating what he described as “an effusive ode to the greatness of this city and those who came here, and those who have turned into their leaders.”